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The flagship of the entire FBQ series, the ULTRAGRAPH PRO FBQ6200 is an ultra-musical 31-band stereo graphic equalizer that goes the distance to offer a maximum in performance and flexibility in both live and studio applications.
The S Curve 215 is a professional quality signal processor that gives you precise tonal control over two channels of audio. Center detented sliders with LED illumination allow you to selectively cut or boost selected frequency areas by as much as 12 dB. Front panel controls include output level sliders, lowcut and bypass switches, while the rear panel provides electronically balanced inputs and outputs. Thanks to low noise circuitry, the S Curve 215 can be used in a wide variety of applications, including live performance (in conjunction with either Front Of House or monitor mixers), in broadcast environments, or for recording.
The AUTOCOM PRO-XL MDX1600 is loaded with many of the same features as the COMPOSER PRO-XL. Additionally it features a unique adjustable IDE dynamic enhancer that provides subtle and very musical compensation for the bass â€śboostâ€ť effect that results from heavy compression.
The MULTICOM PRO-XL MDX4600 gives you four channels of first-class dynamic control in a single rack space. With a multitude of new features like the advanced program-adaptive expander gate, extensive metering plus a variety of configuration options, the MULTICOM PRO-XL puts a lot of dynamic processing power in your rack.
Why do I need an equalizer? If we all lived in a perfect world, there would be no need for audio equalization. Sound systems would be perfect and would reproduce perfect signals in all their glorious perfection. Also, everyone in that perfect world would like the same amount of bass, midrange and high frequency, and there would be no such thing as feedback. But the world isnâ€™t perfect, is it? Even the best sound system can benefit from the use of a good EQâ€”like the FBQ800.
The MIC2200 is the ideal extension to your console, MIDI setup or hard disk recording system. Its integrated parametric EQâ€™s give you extra sound-shaping power, while its built-in tube adds warmth and transparency to your signal. In addition, the ULTRAGAIN PRO features direct injection and level conversion functionality.
The CX3400 is an active frequency crossover enabling 2 or 3-way stereo or even 4-way mono operation. Each band features two 24-dB Linkwitz-Riley filters, as well as individual IGC limiters, while the integrated delay enables flexible time alignment. Polarity switches for each output allow quick and easy runtime compensation for various driver and horn types.
With our new model VIRTUALIZER PRO weâ€™ve recreated a classic, making a great effects unit much better. First of all, it features 71 brand-new, impressive effect algorithms, giving you powerful modulation, amp simulation, distortion and special effects as well as effective dynamic and psychoacoustics processing and equalization on top of our renowned wave-adaptive VIRTUAL ROOM reverb algorithms. Add up to 7 adjustable parameters, high and low EQ, 11 serial or parallel effect combinations, true stereo processing with most algorithms and an improved user interface, and youâ€™ve got the best VIRTUALIZER PRO that ever hit the market
The TUBE ULTRAGAIN MIC100 is a vacuum tube mic/line preamplifier with integrated limiter for studio, live and hard disk recording applications. It features a carefully selected 12AX7 vacuum tube with UTC technology for exceptional warmth and lowest noise. Thus, the MIC100 can be used to eliminate the "dull" sound of standard digital recorders and sound cards. Also, it perfectly complements studio-grade condenser microphones. When used as a high-end DI-box, it ensures outstanding signal integrity. The TUBE ULTRAGAIN MIC100 comes with phase reverse switch, +48 V phantom power and 20 dB pad. Balanced inputs and outputs provide the finishing touch.
Whether youâ€™re recording, mixing or mastering, the COMPOSER PRO-XL MDX2600 gives you total dynamic control. It includes all of the features you would expect from a reference class compressorâ€”plus a voice-adaptive de-esser, a new dynamic enhancer, authentic tube emulation and much more. These are some of the indispensable tools for producing clean, consistent audio with virtually no loss in signal quality.